CURRICULUM

DRAMA

Drma Curriculum Intent

Drama is the collaborative exploration and analysis of meaning through the enactment of events. Our curriculum develops students’ emotional literacy and analytical awareness, by allowing them to see the world, imaginatively, from a variety of perspectives. It promotes individual self-confidence, encourages social co-operation and enhances creativity, while developing the skills of speaking, listening, reading, writing and analysis.

Key Strands

Developing

Students will be working as part of a team to create and develop pieces of theatre. How to be a good group member who contributes and focuses will be integral to their personal progress. They will develop their ability to rehearse independently and set targets. They will learn about the acting skills they can apply to their pieces such as vocal technique, physical technique and interpretive technique. They will also explore different styles of working through access to scripts, improvisation scenarios and the application of various dramatic conventions.

Students will learn the correct etiquette of being both a professional performer and a respectful audience member. They will learn how to utilise their bodies and voices for maximum effect when performing and how to create an engaging character and plot through the application of specialised techniques. They will tackle different styles and genres when performing, and also develop their confidence skills when working in front of others.

Performing

Evaluating

Students will use the PIE structure of writing (Point, Information, Evaluate) to analyse key features of professional productions. They will come to understand the roles and responsibilities involved in performances and their impact and contribution to an overall piece. They will learn to use key Drama terminology in their language fluently

Throughout years 7-11 evaluating practical work is a key skill for students to be able to recognise their strengths and weaknesses and continue to improve their work independently. As they progress students learn to evaluate their work in more depth, linking their own work to the stylistic features of genres of music. In year 8 students start to learn about the stylistic features of genres of music. In year 9 they start to compare different styles of music. This is a skill that is then embedded in year 10 and 11 as they evaluate the stylistic features of several genres and compare different genres of music.

Evaluating

Curriculum Structure

At Key Stage 3 in Years 7, 8 and 9, Drama is taught as a discreet subject on a Performing Arts carousel, along with Dance and Music. They will have one lesson of Drama a week for a set block before moving onto the next discipline. During this time students are formally assessed through a combination of both practical and theory work, which will inform the grades given to the students at their data collection points. To ensure a consistent 5 year plan where skills are built which tie in with the qualifications we deliver further down school, we aim to ensure that the schemes of work cover the two key areas of ‘Script Work’ and ‘Devising.’ In Years 7 and 8 they are on a long carousel of 13 lessons. In Year 9, students do two shorter carousels of 6 and 7 lessons with two separate topics. At KS4 students can opt to study the BTEC Tech Award in Performing Arts Acting as a qualification.

Year 7

The Lion King
Content -
Exploring this professional Disney stage production through both Scripted Work and Devising From Stimulus Conventions.
Skills -
Style: Disney and Musical Theatre

Vocal Techniques

Physical techniques

Interpretive Techniques: Role on the Wall

Dramatic Conventions: Tableau and Mime

Spontaneous Improvisation

TOPIC 1

Year 8

Romeo and Juliet
Content -
Exploring this Shakespearean production and the Baz Luhrmann re-make through both Scripted Work and Devising From Stimulus Conventions which build in complexity from the ones students covered in year 7.
Skills -
Style: William Shakespeare

Vocal Techniques: Mastering Shakespearean Language

Physical Techniques: Blocking and Spatial Awareness

Interpretive Techniques: Hot-Seating, Character Motivation and the Given Circumstances

Dramatic Conventions: Thought-Tracking and Direct Address

3 Chair Improvisation

TOPIC 1

Year 9

Teechers
Content -
Exploring this comedy stage production by a local Barnsley playwright through Scripted Work and a range of advanced performance techniques.
Skills -
Style: Bertolt Brecht and the Verfrumdungseffeckt

Style: Constantin Stanislavski and the Magic If

Status and Proxemics

TOPIC 1
Departure
Content
Taking this word as a starting stimulus, students will learn how to devise their own pieces of Drama through a range of Dramatic Conventions.
Skills
Devising From Stimulus

Monologues and Duologues

Dramatic Conventions: A Toolbox

Topic 2

Year 10

Exploring The Performing Arts
Content -
Students will use the many genres of the theatres in the West End of London to springboard them into studying three contrasting professional works: Blood Brothers by Willy Russell, War Horse by Nick Stafford, and The Curious Incident of the Dog in the Night-Time by Simon Stephens.
Skills -
Listening

Assessing the stylistic qualities of practitioners’ work using considered examples to show how roles, responsibilities and skills contribute to creative intentions and purpose across three performance styles. Explaining the interrelationships between processes, skills and approaches used by practitioners, with considered reference to examples of repertoire used to demonstrate how they contribute effectively to performance work. Demonstrating disciplined and organised development of skills and techniques for performance during workshops and rehearsal. Demonstrating considered selection, application and assured use of technical, stylistic and interpretative skills during rehearsal and performance of existing repertoire. Analysing own development and application of skills and techniques, using considered examples to identify strengths and set targets for improvement.

TOPIC 1
Developing Skills and Techniques in the Performing Arts
Content
Students will rehearse and perform an extract from the play Blood Brothers by Willy Russell. They will show development as an actor throughout by setting targes and tracking their progress through a diary log book.
Skills
Assessing the stylistic qualities of practitioners’ work using considered examples to show how roles, responsibilities and skills contribute to creative intentions and purpose across three performance styles. Explaining the interrelationships between processes, skills and approaches used by practitioners, with considered reference to examples of repertoire used to demonstrate how they contribute effectively to performance work. Demonstrating disciplined and organised development of skills and techniques for performance during workshops and rehearsal. Demonstrating considered selection, application and assured use of technical, stylistic and interpretative skills during rehearsal and performance of existing repertoire. Analysing own development and application of skills and techniques, using considered examples to identify strengths and set targets for improvement.
Topic 2

Year 11

Responding To A Brief
Content -
Students will respond to a title and scenario set by the BTEC exam board. They have 10 hours to create a performance piece based on their given stimulus. In addition to this students will prepare for and sit three one hour written exams where they will explain their process.
Skills -
Responding creatively and originally to a set brief.

Utilising all of the skills acquired throughout the course so far in the previous two components.

Analysing the process and evaluating the outcomes.

TOPIC 1